When the general manager at my work asked that all staff create a list of their ten favorite albums of 2012, I squirmed with excitement. Being an obsessive person, with obsessive person tendencies, this is the type of task that I thrive on.
It took me a long time to narrow the list down to just ten albums. Seriously, where do you start? After considering all of the variables, I think I crafted a pretty stellar list.
Though hailing from college radio charts for some time Foxy Shazam had never really piqued my interest before this year. They are an indie glam band that belongs in the 70’s. Foxy Shazam released an album this year called The Church of Rock and Roll which was produced by The Darkness’ Justin Hawkins.
Hawkins influence is extremely noticeable. Not to mention the unparalleled resemblance to Freddy Mercury vocals and David Bowie stylings. The initial song that sparked my interest in the album was ‘I Like It’ with complete thanks to the thick guitar and Robert Plant-esque power vocals.
As a whole The Church of Rock and Roll is a theatrical, glam rock effort best enjoyed loud - maybe in a seedy bar. It’s jaunty, and memorable.
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Since the release of his EP almost two years ago, and after seeing Gary Clark Jr. live at Lollapalooza I was dying for more. It is a difficult time for the blues. Clark’s raw talent exceeds that of any other up and coming solo blues guitarist right now. Discovered by Eric Clapton and being compared to greats like Jimi Hendrix, and Stevie Ray Vaughn, GCJ has a big role to fill.
Blak and Blu portrays his obvious knack for blues style guitar, but the album as a whole can also be described as an R&B album. B&B is full of funk, blues and buttery grit and rhythm. It is clear that Clark is best when left to rip on his guitar though. His playing is down right dirty; all encompassing. And, while tracks like ‘Ain’t Messin’ Around’ are great, his talents are really laid out in ‘Please Come Home’ where we experience Clark’s falsetto which preceeds slick passionate guitar about 1:37 mins into the song.
Gary Clark Jr. is seemingly easy to overlook because of his overall humble demeanor - also not unlike the late great Jimi Hendrix. After taking a closer look it becomes apparent that his talent is unparalleled. Blak and Blu is to be celebrated by any modern day blues worshiper.
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Though a newer band (formed in 2009) Alabama Shakes play like they have been creating together for decades. The Shakes depict a new kind of southern rock/blues/rock soul. Britany Howard, the voice fronting the blues based goodness, has a soul infused voice that is reminiscent of another time. Her southern soul infusing into Alabama Shakes southern rock band is not unlike the great works of Janis Joplin or Tina Turner.
‘Be Mine’ is probably B&G’s stunner. Howards smoky rasp aside, the rest of the band are able to show off their bluesy guitar knack. The intensity displayed on ‘Be Mine’ is years matured, making it difficult to believe that this is only The Shakes first album.
The howls, tight guitar licks, rootsy take on the blues and soul rock music is not matched to any other group this year. I mean, no other group has Brittany Howard.
In the same fashion the world spread the good word, ‘Clapton is God’, all over England in the 60’s, I wish to share the message ‘Jack White is Genius’. Spread the word. I’ve seen White three times live now - and I’m surprised not more. The first time with the White Stripes, the second with the Dead Weather and the third as a solo act (unfortunately never with the Raconteurs). This man is a genius. I don’t care who wants to dispute this, I won’t listen. It is fact in my mind. The sheer versatility, openness and musical master mind ability that Jack White possess is enough to leave you dumbfounded and hating yourself for not being a better… anything.
Blunderbuss made me nervous. I thought if this isn’t perfect, he’s screwed. Jack White has created a persona for himself, one that I have bought, and if that persona is at all altered in a negative way, he’s shot. Thankfully, Blunderbuss delivers. It is chalk full of inventive garage rock, dabbling with raw blues riffing. Being a multi-instumentalist himself, it is no wonder that the spotlight is shared with varying parts of the Blunderbuss outfit.
White’s Detroit music influence will forever be prevalent. But it is his Nashville impact that shines through on key tracks like ‘Love Interruption’. There are so many layers to Blunderbuss that well represent Jack White. In ways it can be viewed as a folk album, while parts sound country. As a whole it is perfection.
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