Released: December 11, 2012
I’ve been receiving more than my fair share of flack recently regarding Bruno Mars’ latest album Unorthodox Jukebox. I like it. The album, not the flack.
Like the vast majority of friends and acquaintances I surround myself with whether it be through work, play or twitter I too did not expect UJ to be my cup of tea. When I explain to someone that I do in fact think that Bruno Mars did an excellent job in representing his skill set on this album, in a more than appealing way I am faced with the same dumbfounded looks - more often than not.
With that said, let me break it down for you. Unorthodox Jukebox is not my favorite album of the year. Not even close. But that does not take away from the fact that it was well done, and has many parts of which appeal to me.
Bruno Mars is a keener. He is that kid in class who everyone likes, and wants to hate, but really just loves. He’s the kid who can say something to make the teacher blush, and talk his way out of lunch detention. He’s also the kid who will help you with your homework and ride bikes with you afterward. It’s difficult to dislike the guy.
Coming from a genuine place with an obvious understanding of primitive music origins, with attention to styling details, Bruno Mars has released a genre varying musical expose. At the forefront it is an R&B album with an unrequited dose of pop music. Delving into the depths of UJ, you can find so much more.
Have you even wondered what it would be like if Michael Jackson had been the forefront of The Police rather than Sting? No, I hadn’t either. But on Mars’ first single off UJ , ‘Locked Out of Heaven’ you get a feel of what that experiment would be like. And while it sounds like an awful idea, it works. ‘Locked Out of Heaven’ is unbearably catchy leaving you helplessly repeating “eh-eh/eh-eh-eh-eh-eh-eh/oooh” alongside Mars. The beat is steady, easy to follow and enjoyable.
By the way, the theme of this album is sex. Whether Bruno Mars is talking about having her, or getting her back, the pith of his message is what he did or wanted to do to her. This is clear in ‘Gorilla’, another MJ inspired track frothy with sweat.“You’ll be banging on my chest/ bang bang/gorilla. You and me baby makin love like gorillas”. The vocals sound like a clean, tuned up version of the Weeknd. From ‘Gorilla’ Mars moves to ‘Treasure’ a pop funk jam revealing his versatility and influence.
Like every experimental artist Bruno Mars dabbles in reggae/dancehall on ‘Show Me’. It’s typical and what you would expect of the keener. But, it’s good. And will end up on someones stoner soundtrack. Well done Mars. ‘If I Knew’ is a favorite of mine. The lyrics are not particularly tonic, but as his soul effort off Unorthodox Jukebox I think Mars nailed it. Otis would be proud.
The album ends with a duet with jazz sensation Esperanza Spalding called ‘Old and Crazy’. It’s a lovely end to the genre infused trip. I want to put on a frilly dress and transport back to post WWI. The old timey piano, and sax is a fun, daring final attempt.
Bruno Mars has corrected all the errors he made when creating Doo Wops and Hooligans. Unorthodox Jukebox is eclectic, it’s thought out, it’s really good. And, while it is clear that his sound resembles that of so many others; Michael Jackson, Prince.. - not so unlike a popier Mayer Hawthorne - he has donned his genres with his own special touches. This will likely be Bruno Mars’ greatest piece of work. He is damn talented.
Excuse me while I go listen to it again.
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